文科生真能靠AI 逆袭,但和朋友圈刷屏的爽文不一样
本文来自微信公众号:APPSO ,作者:发现明日产品的,原文标题:《文科生真能靠 AI 逆袭,但和朋友圈刷屏的爽文不一样》
最新的案例是杨天润,AI创业者,金融出身,正在开发一个多智能体协调平台。
他自称「一行代码都不会写的文科生」,搭建了一组AI Agent,向GitHub上最热门的开源项目之一OpenClaw批量提交代码贡献。
想验证一个假设:一个完全不懂技术的人,能不能仅靠指挥AI,就参与到**开源项目中去。
结果是:134个PR,21个被合并,113个被拒绝。
前几个PR质量还算不错,被维护者认可并合并。
但当他给Agent下了一条加速指令后,事情迅速失控——Agent开始像流水线一样批量生产低质代码,在评论区疯狂@维护者催促审核。
OpenClaw管理员介入清理,GitHub随后修改了PR提交上限规则。
黑红也是红,红过之后再黑更加是。
杨天润被包装成「文科生逆袭」的代表,而他本人似乎也乐于接受这个角色。
在接受品玩的采访时,他说了一句这样的话:
不懂代码反而是优势。
AI是梵高,你是个小画家,你有什么资格告诉梵高中间该用什么笔触?
细思极恐。
他把「不懂底层结构」理解为一种解放:不需要知道系统在做什么,只需要告诉它你想要什么。
结果就是当Agent开始批量刷垃圾代码时,他连发生了什么都诊断不出来,因为他根本不知道自己在操作什么。
他以为自己在指挥梵高,实际上他在盲开一辆没装刹车的车,而且根本不知道刹车在哪。
围绕这件事的讨论,也随之落入两个极端:要么「文科生也能做AI」,要么「文科生别碰AI」;前者是跨越鸿沟的壮举,要么是掉进鸿沟的笑话
如果我们对「文科生做AI」的想象力只有这些,那未免太贫乏了。
Claude为什么需要一个哲学家
我们之前写过,Anthropic的办公室里,有一位正儿八经的文科生,深度参与了Claude的建设。
不是测试它能不能写代码,不是检查它的数学能力,而是和它进行漫长的、关于价值观、关于措辞分寸、关于「面对不确定性应该如何表达」的对话。
Amanda Askell,苏格兰人,今年37岁。
她的职业路径本身就是一个不太寻常的故事:在大学,她最初学的是美术和哲学,后来转向纯哲学,在牛津拿到了BPhil,又在纽约大学拿到了哲学博士。
她博士研究的是无限伦理学中的帕累托原则:当涉及无限数量的道德主体或无限时间跨度时,伦理排序应当遵循什么规则。
这听起来像是距离硅谷最远的学术方向,但她先后加入了OpenAI的政策团队和Anthropic的对齐团队。
2021年起,她成为Anthropic「性格对齐」团队的负责人,工作重点是塑造Claude如何与人类对话、如何在不确定时表达立场、如何在价值观冲突中做出判断。
2024年,她入选了TIME100 AI榜单。
《华尔街日报》描述她的日常工作是「学习Claude的推理模式,用长度超过100页的提示词来修正它的行为偏差」。
据说她是这个星球上和Claude对话次数最多的人类。
为什么一个AI公司需要一个哲学家来做这件事?答案藏在一些非常具体的技术选择里。
今年1月,Anthropic发布了一份长达80页的文件,被称为Claude的「宪法」。
媒体关注的是文件末尾关于AI意识的推测——当然,老板Dario Amodei也话里话外「暗示」这一点。
但更值得注意的是它的底层逻辑:教AI理解为什么要这样做,比告诉它应该怎样做更有效。
这是一个技术判断,认为内化价值比遵守规则能产出更可靠的行为,而这种判断的知识根基,来自一个学美术、学哲学的人。
Amanda的案例回答了一个问题:被视为「无用」的学科知识,能否成为技术系统的核心能力?答案不仅是能,而且,没有她的哲学训练,Claude的对齐问题用现有的工程方法解决不了。
被重新命名的学科
如果Amanda的故事说明了,某些被归为「文科」的学科训练可以是AI的核心能力,那么林俊旸的故事要说的是一件更重要的事:有一整个学科,一直在大模型技术栈底层运行。
林俊旸离开通义千问后,中文互联网的报道反复使用同一个说法:他有应用语言学背景。
稍微传几次,这个话就变形了,变成了他是「文科生」。
这个标签和杨天润身上贴的是同一个,但其实被严重扭曲。
林俊旸学的是语言学,这是一个伞状学科,它的分支覆盖语言教学、语言政策、翻译研究,也包括计算语言学。
可以说,计算语言学,就是自然语言处理(NLP)之子。
乔姆斯基在1950年代提出了形式语法,这个理论工具直接催生了早期NLP的句法分析技术;Daniel Jurafsky和Christopher Manning,这两位NLP领域被引用最多的两本教科书的作者,都是语言学出身。
换句话说,「学语言学的人去做NLP」就像「学物理的人去做芯片设计」一样,是一条正统路径,不是跨界。
那个「意外感」完全是中国语境制造的。
高考文理分科的制度惯性,把「语言学」塞进了「文科」的心智模型里。
但语言学的核心方法论——形式化、统计建模、语料标注——本质上是工程思维。
林俊旸在北大的合作者孙栩、苏祺,都是NLP方向的研究者;他2019年加入达摩院时进入的是NLP团队。
这不是一个文科生误入技术领域的故事,从一开始就不是。
比「林俊旸不算文科」更值得展开的,是语言学在大模型技术栈里实际扮演的角色。
它比大多数人以为的要深得多,也隐蔽得多。
「Helpful,Harmless,Honest」这套被广泛使用的对齐标准,本质上就是语用学基本原则的工程化翻译。
从林俊旸的学术轨迹中,也能看到一种非常语言学的研究风格。
他主导的OFA(One For All),2022年发表于机器学习领域的**会议ICML,至今被引用近1500次。
这个工作的核心思路不是为每个任务搭专用方案,而是用一个足够通用的序列到序列框架,把图像生成、视觉定位、图像描述、文本分类等跨模态任务统一起来。
从OFA到Qwen-VL(被引超过2200次),再到Qwen2.5,以及最新的3.5,一条清晰的线索贯穿始终:与其为每个问题发明一套专门的解法,不如找到一个足够好的通用框架,让所有问题在同一个框架里被解决。
用最少的规则,覆盖最多的现象——这正是语言学几十年来的核心追求。
生成语法的全部学术野心,就是找到一套有限的规则系统,能够生成无限的语言表达。
OFA的架构哲学与此同构,为每种语言现象写一套专门规则并不现实,应该寻找一个底层框架来统一它们。
林俊旸做大模型做得好,不是因为语言学背景「也能」做AI,而是语言学训练塑造了一种特定的学术品味,对统一性和形式化的偏好。
这种品味在大模型时代,恰好是核心竞争力。
看不见的地基,看得见的需求
三个人,同一个标签,三种完全不同的路径。
杨天润不懂底层结构,把「不懂」当优势,结果失控。
这是「文科生做AI」的空壳版:标签制造了流量,但没有任何学科训练在起作用。
他的故事体现的恰恰是——当「文科生」只是一个营销标签时,会发生什么。
Amanda Askell的哲学训练构成了对齐问题的核心方法论。
没有她,Claude不是Claude。
她的故事回答的问题是,被视为「无用」的学科知识,能否成为技术系统的核心能力。
答案是不仅能,而且不可替代。
林俊旸的语言学训练构成了大模型技术栈的隐性基础设施。
他的「文科背景」从来不是跨界,是正统路径。
他的故事回答的问题是,文科对于先进技术的贡献,到底「隐性」到了什么程度,它是不是正在变得显性。
而**问题并不是「文科生能不能做AI」,而是我们能否理解到一点:靠表面上的「有没有用」来评判知识和学科,已经过时了。
随着大模型从追求能用好用,走向追求可靠和可控,这些被归入「文科」的学科训练,价值不是在缩小,而是在扩大。
模型越强大,越需要精确的评估体系来诊断它在哪里、为什么出错,也越需要理解语言和意义的复杂性来设计更好的训练数据,越需要在对齐问题上做出有学科敏感度的判断。
「文科生逆袭」这个叙事——无论是赞美还是嘲笑——遮蔽了真正在发生的转向:看不见的地基,正在变成看得见的需求。
AI创投日报 频道: 前沿科技
Liberal arts students can leverage AI for a comeback, but it's not the viral fantasy you see on social media
Originally published on WeChat: APPSO. Author: Discover Tomorrow's Products. Title: "Liberal Arts Students Can Leverage AI for a Comeback, But It's Not the Viral Fantasy You See on Social Media"
The latest case is Yang Tianrun, an AI entrepreneur with a finance background, developing a multi-agent coordination platform.
He calls himself a "liberal arts student who can't write a single line of code," and built a group of AI Agents to mass-submit code contributions to OpenClaw, one of the hottest open-source projects on GitHub.
He wanted to test a hypothesis: Can someone with no technical background participate in top-tier open-source projects solely by commanding AI?
The result: 134 PRs, 21 merged, 113 rejected.
The first few PRs were decent quality and got approved.
But when he commanded the Agent to speed up, things spiraled — the Agent began mass-producing low-quality code like an assembly line and spam-@-ing maintainers in comments.
OpenClaw admins stepped in to clean up, and GitHub later changed the PR submission limit rules.
"Red" even if through infamy, is still fame; and then after the fame, even more infamy.
Yang was packaged as a symbol of "liberal arts student making a comeback," and he seemed happy to play the part.
In an interview with PingWest, he said:
"Not knowing code is actually an advantage.
AI is Van Gogh, and you're a little painter—what right do you have to tell Van Gogh what brushstroke to use in the middle?"
It's chilling.
He interpreted "not understanding the underlying structure" as liberation: no need to know what the system is doing, just tell it what you want.
The result: when the Agent started mass-producing garbage code, he couldn't even diagnose what was happening because he had no idea what he was operating.
He thought he was directing Van Gogh, but in reality he was driving a car with no brakes, blind, and with no idea where the brakes were.
Discussions around this incident fell into two extremes: either "liberal arts students can do AI" or "liberal arts students stay away from AI."
The former is a heroic leap across the chasm, the latter a joke of falling into it.
If our imagination of "liberal arts students doing AI" only goes this far, it's far too impoverished.
Why Claude needs a philosopher
We've written before: in Anthropic's office, there is a bona fide liberal arts student deeply involved in Claude's development.
Not testing whether it can code, not checking its math skills, but engaging in lengthy conversations about values, wording, and "how to express oneself in the face of uncertainty."
Amanda Askell, Scottish, 37 years old.
Her career path itself is unusual: she initially studied fine art and philosophy, then shifted to pure philosophy, earning a BPhil at Oxford and a PhD at NYU.
Her dissertation was on the Pareto principle in infinite ethics: how should ethical rankings be ordered when infinite moral agents or infinite time spans are involved?
This sounds as far from Silicon Valley as academia can get, yet she joined OpenAI's policy team and then Anthropic's alignment team.
In 2021, she became head of Anthropic's "character alignment" team, focusing on shaping how Claude talks with humans, how it takes stances under uncertainty, and how it makes judgments amid value conflicts.
In 2024, she was named to the TIME100 AI list.
The Wall Street Journal described her daily work as "studying Claude's reasoning patterns and using prompts over 100 pages long to correct its behavioral biases."
She's said to be the human who has talked with Claude the most on the planet.
Why would an AI company need a philosopher for this? The answer lies in very specific technical choices.
Invisible foundations, visible needs
Three individuals, same label, three entirely different paths.
Yang Tianrun didn't understand the underlying structure, treated "not knowing" as an advantage, and lost control.
This is the hollow version of "liberal arts doing AI": the label created traffic, but no disciplinary training played a role.
His story shows exactly what happens when "liberal arts" is just a marketing label.
Amanda Askell's philosophical training formed the core methodology for alignment problems.
Without her, Claude wouldn't be Claude.
Her story answers: can knowledge deemed "useless" become core capability of a technical system? Not only yes, but irreplaceable.
Lin Junyang's linguistic training forms the hidden infrastructure of the LLM tech stack.
His "liberal arts background" was never a crossover—it was the orthodox path.
His story answers: to what extent is the contribution of liberal arts to cutting-edge technology truly "hidden," and is it becoming visible?
The ultimate question is not "whether liberal arts students can do AI," but whether we can understand this: judging knowledge and disciplines by superficial "usefulness" is outdated.
As LLMs move from being usable and capable to being reliable and controllable, the value of these disciplines grouped under "liberal arts" is not shrinking—it's expanding.
The more powerful the model, the more it needs precise evaluation systems to diagnose where and why it fails, and the more it needs to understand the complexity of language and meaning to design better training data, and to make discipline-sensitive judgments on alignment issues.
The narrative of "liberal arts students making a comeback"—whether praised or ridiculed—obscures the real shift happening: invisible foundations are becoming visible needs.
AI Venture Daily · Channel: Frontier Tech